In Hotel World
physical cash becomes a signifier for more than just purchasing power. It
represents different things to different people throughout the novel. Else has
the most personal relationship with it. She spends her days in the sidewalk
outside of the hotel asking people for their spare change, slowly accumulating
the cash that will ensure her survival for the next little stretch of life. Her
occupation is much more closely related to the procuring of income, in the form
of physical cash, than is anyone else’s in the novel. She spends most of her
time attempting to procure money. It is interesting though that when she is
given money it is usually dropped on the pavement around her rather than handed
directly to her or put into a cup. Also interesting is her seeming reluctance
to pick it up from the pavement, preferring rather to save her energy and
economize her movements to pick up as many coins at once as she can. Once she
finally does, her existence is physically tied to the coins when they slip
within the lining of her jacket and literally form a barrier between her and
the cold world.
Else’s coins also serve as a point of connection between her
and some of the other characters, signifying a possible link to people for whom
the coins signify something other than what they do to her. For the reporter,
the 10p that she asks from Else signifies a chance to escape the strange world
that she explores with Else and crawl back within her neatly packaged hotel
room. For Sara’s sister Else’s coins represent a potential opportunity to
connect with her dead sibling by acting as a physical tool, not for purchasing
anything but for gaining a purchase in the slot of the screw that hides the
dumbwaiter shaft from her view. It is also interesting that physical money
represents a second point of connection between her and her sister. She retains
the five-pound note that she receives in payment of the bet with the bellhop as
a memento of her sister. It no longer signifies material goods after she folds
it into a nearly unrecognizable tiny square and removes it from circulation.
The same banknote, or rather its transmission to Sara’s
sister, symbolized an opportunity to expunge the guilt that the bellhop felt
over Sara’s death. Perhaps by employing physical currency in this way Smith is
commenting on the fact that the relationship between signified and signifier is
purely subjective and that money has the ability to stand in for just about
anything.
Indeed, your reading about how money floats as a signifier would seem to accord with the ways in which Smith deliberately treats language. She dismantles it, plays with it, puts it in unusual situations, and otherwise severs it from habitual signifying functions.
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